The AFEM Promoter Good Practice Guide is a voluntary framework for independent and early career electronic music promoters, shaped by the collective insight of AFEM’s global membership.
Its 16 chapters follow the life of a show, and promoters who align with its principles can register for the AFEM Promoter Good Practice Registered mark.
10% off with code GEI19_AFEM_10
Following our Annual General Meeting, held during ADE 2026, we’re delighted to announce the results of the AFEM Executive Board election.
Virgin Music Group has joined the Association for Electronic Music as a partner. The group also includes FUGA, already an AFEM member, and Downtown.
Daniel Bisbing, Vice President, Commercial Marketing at Virgin Music Group, shares why the group is joining AFEM.
Collabhouse pairs distribution with an AI Manager and a growth layer for independent artists and labels, and saw subscriptions rise fourfold in a single month.
In this Member Feature, Andy Berendsen explains how the platform’s Opportunities section works, why artists want to own their fan data, and what AFEM membership means for a company building tools with the artist community.
AFEM is at Amsterdam Dance Event 2026, 21-25 October, with its Annual General Meeting and Mixer, Mindful Connections, the Music Technology Workshop, the AFEM & Sena Mixer and panels across the week.
Find every session, time, venue and RSVP below, plus the guide to AFEM members’ own events across ADE 2026.
AFEM and Beatport present Amplifying Your Label on Beatport, an online webinar on best practices for your label on the platform.
The first DJ & Producer Union podcast features Alex Montoya (Analog Agency) for a conversation on the artist–agent relationship.
Independent press is spotlighting AFEM’s work on AI in music, with recent coverage of the AFEM AI Principles and the Berlin AI Think Tank.
The articles track the industry’s move towards workable systems for licensing, consent, attribution and fair remuneration.
Anya Bennett, Broker Support Account Handler at Howden Music takes on the cover most artists only think about once a show has already fallen through.