Frances Shillito spent her career in artist management and venue relations. She now trains the music industry in safeguarding, and she argues the appetite for change has finally outpaced the infrastructure available to deliver it.
In this Members Voices she sets out what the research shows, what changed when The Standard ran its first Safer Spaces session, and what good safeguarding practice actually looks like inside a label, an agency or a festival production office.
In the first part of AFEM’s 20-year celebration series with Symphonic, Randi Zimmerman looks at how LATAM’s local scenes are reshaping global dance music.
Our latest Member Feature is now live, featuring Aron Farkas, International Growth Manager at TicketSwap: Europe’s leading ethical secondary ticketing marketplace, bringing fans and experiences together in a safe and fair way.
AFEM is pleased to present a LinkedIn Live conversation about the ADE Cycle, the charity ride that takes participants from London to Amsterdam Dance Event in support of Bridges for Music.
In this edition, we’re featuring Elena Varo, Founder of Elevatio Tech & Culture and creator of Equinoccio Sound, whose work is focused on building collaborative, community-led spaces that connect DJ collectives, venues and artists across Madrid’s electronic music ecosystem.
Music agent Maria May (CAA) on what three decades in electronic music has taught her about burnout, boundaries, and the gap between how we develop artists and how we look after the people running the business.
In partnership with the Music Industry Therapist Collective, Maria has launched a six-month fully funded pilot programme for five entry to mid-level dance music professionals. Read the full piece, and apply by 1 June 2026.
Feedback is Music Technology UK’s recurring pitch competition for music tech founders. AFEM is teaming up with MTUK on this one to put electronic music labels and publishers at the centre of the room.
Tuesday 19 May, 18:00 to 22:00 BST, at H.O.M.E in London. Four founders pitch live to a panel of senior label and publishing executives, each holding £100,000 of virtual investment to allocate.