Frances Shillito spent her career in artist management and venue relations. She now trains the music industry in safeguarding, and she argues the appetite for change has finally outpaced the infrastructure available to deliver it.
In this Members Voices she sets out what the research shows, what changed when The Standard ran its first Safer Spaces session, and what good safeguarding practice actually looks like inside a label, an agency or a festival production office.
Matt Whitmire (VP of Business Development, FUGA) distills five key lessons of his Platforms & Performance series, outlining how artists and teams can protect rights, build visibility, and grow sustainably across today’s UGC-driven platforms.
Matt Whitmire (VP of Business Development, FUGA) explores why artist identity is a critical foundation for long-term growth in today’s electronic music landscape.
Written by Chuck Fishman, Soul Clap Records Introduction What is an Official Remix? Unofficial Remixes and SoundCloud, YouTube, Bandcamp Why Release Official Remixes? How Spotify, Apple Music and Other Streaming Services Treat Remixes Coming up in the next editions:...
Matt Whitmire (VP of Business Development, FUGA) explores Strategic Promotion on YouTube, TikTok and Instagram.
Matt Whitmire (VP of Business Development, FUGA) covers Understanding Rights in the UGC Economy.
The seventh installment, “Sound Judgement: Musicology in the Modern Music Business” is authored by Sarah Davis (Director, Global Client Services and In-House Forensic Musicologist, Downtown Music Publishing).
The seventh installment, “Sound Judgement: Music’s Many (Re)Uses” is authored by Sarah Davis (Director, Global Client Services and In-House Forensic Musicologist, Downtown Music Publishing).
The sixth installment, “Sound Judgement: Musicology Behind the Scenes” is authored by Sarah Davis (Director, Global Client Services and In-House Forensic Musicologist, Downtown Music Publishing).
The fifth installment, “Sound Judgement: Musicology in the Modern Music Business” is authored by Sarah Davis (Director, Global Client Services and In-House Forensic Musicologist, Downtown Music Publishing).