Feedback is Music Technology UK’s recurring pitch competition for music tech founders. AFEM is teaming up with MTUK on this one to put electronic music labels and publishers at the centre of the room.
Tuesday 19 May, 18:00 to 22:00 BST, at H.O.M.E in London. Four founders pitch live to a panel of senior label and publishing executives, each holding £100,000 of virtual investment to allocate.
Developing a live electronic music show is one of the most complex steps an artist can take. The latest AFEM Industry Insider podcast brings together four practitioners working at the sharp end of live electronic music to unpack what it takes to go from DJ set to live show — how artists evolve their performance identity, what’s involved in designing and scaling a live rig, and the common pitfalls that catch teams out along the way.
On Tuesday 5 May, AFEM hosts a public roundtable on tinnitus and hearing health for the electronic music industry. Two guests bring direct, lived and professional experience to a candid, practical conversation moderated by AFEM Health Co-Chair Izzy Naud.
The next instalment of our Members Voices series is live.
Owen Kiernan, Head of Digital at Cr2 Records, on how artists and labels can cut through the noise of more than 120,000 tracks added to DSPs every day
We’re looking forward to returning to International Music Summit Ibiza this April, with a programme that reflects the conversations shaping our sector right now.
As Miami Music Week (MMW) returns, AFEM will be on the ground supporting a programme of gatherings that connect our global community.
In this Member Feature, we speak with David Serras Pereira, Licensing and International Manager at Unison about how they’ve built an independent, multi-territorial publishing rights management platform designed for the realities of a digital-first music landscape.
The first of a two part installment by Connie Chow from Fuga.
Join us on Monday 2 March for a LinkedIn live session on BELEM Lyric Translation presented by AFEM.
We call for clear accountability, active support, and safer structures so that our culture lives up to the values our music represents.